What books might the middle-schooler in your life be excited to find under the tree this holiday season? In speaking to several school librarians and some bookstore folks recently, it appears that The Maze Runner continues to be the hot ticket right now. Books from the Percy Jackson series by Rick Riordan are often asked for as well. For those who have not yet read The Hunger Games*, the release of the latest movie has also spurred another spike in requests. Additionally, The Cherub series by Robert Muchamore for boys (about the under-17 highly specialized Cherub Agents), and the Selection series ("...a cross between The Hunger Games and The Bachelor...") by Keira Cass for girls are popular. Rounding out the list, the Cassandra Clare Mortal Instruments series, about the secret fantasy world of the Shadowhunters, is also sought after. For the slightly younger crowd, almost anything Disney "Frozen"-related is flying off the shelves.
Happy Reading to all, and for all, a good book!
*I must admit that when I read about "The Hunger Pains; A Parody,"
by The Harvard Lampoon, featuring Kantkiss Neverclean, I had to
chuckle. Not sure if it would be worth reading, but I do love a good
parody!
Andrea Perry, December 12, 2014
Welcome!
Please join us to discuss everything literary (especially kid literary): good books, the writing life, the people and businesses who create books, controversies in book world, what's good to snack on while reading and writing, and anything else bookish. We welcome your thoughts.
Friday, December 12, 2014
Monday, December 8, 2014
The In-Between
by Barbara Stewart
This past Friday, December
5, 2014, Marcy and I posted our answers to Barbara’s debut novel The In-Between. Today, you get to read Barbara’s
favorite's.
Terrific answers, Barbara!
We can’t wait for our readers to read the novel. And hopefully to give us a few of their favorites, too.
What is your favorite line or paragraph from
the novel as it relates to the main character's development and/or growth?
Elanor Moss has a hard
time recognizing and accepting the successes in her life. There are points
during the novel when the reader sees things are looking up for Ellie, but
Ellie’s view is always through a distorted lens. I like the following passage
because it’s the first time Ellie admits that maybe she doesn’t see her life so
clearly. I also like the way she uses the artwork of M.C. Escher to describe how
she feels about what’s happening to her.
My favorite was of this castle with all these
stairs. When you first look at it, all the people on the stairs are going down,
down, down. But if you look long enough, you see that they’re really going up.
It’s an illusion, like my life. I can’t tell which way I’m going. I thought for
sure I was failing my classes. I thought everyone hated me. And then I get my
grades. And then I get invited to Kylie’s party.
Sometimes I think I’m going crazy.
2) What is your
favorite chapter ending or cliffhanger?
Things usually end
badly for Ellie, so I think the biggest cliffhangers are chapters that end with
a small ray of hope. One of my favorites is the last paragraph of a chapter
that takes place on Christmas. Ellie and her mom go to a truck stop for dinner,
and everything is good between them on the ride home. For the first time in a
long time, Ellie doesn’t feel the weight of everything pressing down.
I’d forgotten about Rad and my used-to-be
friends and my father and even Madeline. I think my mother was forgetting, too.
I think she’d forgotten about my father for a little while and about school and
money and my mental problems. It was just the two of us, and the babies inside
her, and the future stretched out before us like the dark and snowy highway. We
can’t see it, but we have to believe it’s there.
In the end, it’s always about believing.
3) Who is your
favorite secondary character and why?
Autumn. Definitely
Autumn. She’s kooky and wise and fearless. She embraces her awkwardness and
doesn’t care what others think. I love her because she’s a good person and true
friend.
4) What is your
favorite line or paragraph of description?
One of the challenges
in writing this novel was trying to imbue the mundane with loneliness and
longing. This is one of my favorite lines:
The tree outside my window is bare except for
one single leaf, brown and desiccated, twisting in the wind.
5) What is your
favorite line of dialogue?
On the first day of school, Autumn tells Ellie how she
can’t wait to get out of Pottsville. She’s never been on a cruise ship, but she
wants to work on one. Ellie’s response is a dig at Autumn, but it’s also a
realization about her own situation.
“Every
place is the same. You know that, right? Nothing will change. You’ll still be
you, even in the middle of the ocean.”
Barbara Stewart earned an MFA in creative writing from
Wichita State University. She lives with her husband in the Catskill Mountains
of New York, where she reads a lot of true crime and crochets way too many
scarves. She loves amusement parks and anything with peanut butter. She also loves
horror movies—the supernatural kind—thanks to her grandmother. Stewart’s next
YA psychological thriller, What We Knew,
will be released in July 2015.
To read more about Barbara Stewart and her debut
novel, The In-Between, please go to:
Friday, December 5, 2014
First Friday - Five Favorite Things - Debut Novel Day
by Dave Amaditz and
Marcy Collier
Welcome to December’s version of - First Friday - Five Favorite Things - Debut
Novel Day. In this monthly series, we ask five simple questions about a
debut novel that will hopefully entice anyone reading this post to pick up the
novel and read it themselves, and/or give them at a glance some insight into
the author's writing style and voice as well as how some of the characters
might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the
author's answers in a follow-up post.
This month we're pleased to highlight debut YA novelist,
Barbara Stewart and her novel, The In-Between.
After a car accident and a near-death experience, Ellie, the main character, is
visited by a girl who becomes her best friend. She comes to question her sanity
as she tries to decide if the friend is real or simply a part of her
imagination.
1) What is your favorite line or paragraph from the novel as it relates to
the main character's development and/or growth?
Dave – There’s a part in the
story where Ellie, the main character, is in therapy after having a nervous
breakdown. She’s on medication that silences the voice inside her, her best
friend, Madeline. I thought this brief paragraph a great insight into the
battle raging inside Ellie.
I need a priest or a medium. I don’t need a psychiatrist. I
don’t need pills with names I can’t pronounce. Drugs won’t drive her out. I
can’t see her or hear her, but she’s not gone. Not really. She’s just been
closed off. It’s like we’re in prison, in adjoining cells in solitary
confinement. I can hear her tapping on the wall…
Marcy – Ellie is at school near the track. The coach
assumes she’s there to go out for the team and encourages her to run. Ellie
feels stupid but can’t say no to the coach so she runs. This is one of the
first steps that changes her life.
The girls were next, ponytails swishing, shorts swishing. They
made it look so easy, so effortless, like they could go forever. Not me. My
chest was ready to explode. My shins were on fire. I was sweating and gasping
and my legs had started to wobble.
That was only the warm-up.
2) What is your favorite chapter ending or cliffhanger?
Dave - This particular chapter ending
comes from later in the novel. It’s another example of the battle Ellie fights
to keep her sanity.
It’s like the new drugs are straps binding Madeline. They've got
her wrapped up tighter than tight. I hear the straps straining, creaking.
Someday there’ll snap. They can’t keep her tied up forever.
Marcy – This song was like Ritalin. It made him want to live. When he played
it, I knew he was on the mend. The darkness was lifting. This is for you,
Daddy.
3) Who is your favorite secondary character and why?
Dave – My favorite secondary
character is Autumn. On many levels she’s as mysterious as Ellie. She’s a total
misfit, not accepted by anyone in school, yet she’s drawn to Ellie, as Ellie is
drawn to her. She seems to understand Ellie and accepts her as is. It makes me
wonder what has happened to Autumn that would allow her to have those
reactions.
Marcy – Like Dave, I really liked Autumn as well, but
I’ll choose Coach Buffman, the cross country coach. He is so encouraging of
Ellie to join the team even though she’s never run before. He has a
matter-of-fact personality and accepts her without judgment. He encourages her
to set goals and train hard. He’s a positive force in her dark world.
4) What is your favorite line or paragraph of description?
Dave – I chose this particular scene because it shows the two sides of
Ellie. Ellie believes what is written below, but in reality, the kids in the
school love her (love Madeline, her subconscious).
At school, I talk to no one. Not even Autumn. I can hear them
whispering. They call me Eerie Ellie. They think I am deaf. They stare right
through me. I am a ghost, haunting these halls with Madeline. The two of us are
invisible.
Marcy – I thought this paragraph was poignant and gave a realistic
look into dealing with a family member who battles depression.
I’ve seen him depressed. That’s nothing new. It happens every
Christmas, and sometimes around his birthday. This is something different.
Worse than the time he and Mom almost separated, or the time they were having
money troubles and almost lost the house. Worse even than when I tried to die.
It’s like all those other bouts of depression were just tremors, little quakes.
Losing Mom is too big. The world is crashing down and all he can do is stand
and watch, alone and terrified, powerless to go on living.
5) What is your favorite line of dialogue? Coach Buffman, her cross country coach, tries to make a point to Ellie
about the dangers of using drugs. He shows her a jar of two miniature pigs
floating in cloudy liquid, one looking pretty normal, the other clearly
deformed.
Dave – “This little piggy’s
mother was pumped full of junk,” he said, swirling the jar with the deformed
fetus. “This little piggy’s mother was clean.” He swiveled on his stool and
returned the pigs to their shelf. “Got it?……”
Marcy
– How true and funny!
Kylie
told me what it stands for: Future Farmers of America. They sponsor Drive Your
Tractor to School Day. Where am I living?
To read more about Barbara Stewart and her debut novel,
The In-Between, please go to:
Wednesday, November 19, 2014
Writing on Wednesday: Why Writing in Bed is Not So Weird After All, or the Odd Writing Habits of a Few Famous Authors
Whether you are standing up, lying down, naked, eating apples, or out in your garden shed as you write, you are apparently in great company. Many authors have unique writing rituals or habits, or wish we didn't procrastinate so much and actually had writing rituals or habits. Whatever it takes to get the job done; the proverbial "butt in chair" method that is oft quoted seems to help but a few of us. Others require some very specific conditions.
Carl Hiaasen likes to face a blank wall, and wears noise-cancelling earmuffs.
Dan Brown occasionally dons a pair of gravity boots and hangs upside-down from a special frame.
Ruth Krauss kept her manuscripts in the refrigerator.
Agatha Christie ate apples.
Flannery O'Connor preferred vanilla wafers.
Victor Hugo wrote in the nude so he would not be able to leave the house and instructed his valet to hide his clothes.
Roald Dahl composed in the privacy of his garden shed.
James Joyce wrote lying on his stomach in bed with a large blue pencil and wearing a white coat.
Truman Capote also liked to write lying down.
Stephen King is quoted as saying he had a goal of 2000 "adverb-less" words a day.
Lewis Carroll preferred using purple ink.
Joseph Heller arrived at some of his greatest ideas while riding the bus.
Woody Allen was inspired during crowded subway rides.
Some of my fellow writers claim they must be at the local library or sitting in a Starbucks since there are too many distractions at home. Others keep to a strict daily two or three hour time frame or their required 1000 or 2000 words. Still others have warm up activities - such as write about the last thing that made you laugh/cry, or do 30 jumping jacks. Another must wear red flannel pajamas.
So what weird thing do you do? And does it help?
Maybe we don't have writer's block after all. Perhaps we are like Harold and all we need is a purple crayon.
Andrea Perry, November 19, 20114
Carl Hiaasen likes to face a blank wall, and wears noise-cancelling earmuffs.
Dan Brown occasionally dons a pair of gravity boots and hangs upside-down from a special frame.
Ruth Krauss kept her manuscripts in the refrigerator.
Agatha Christie ate apples.
Flannery O'Connor preferred vanilla wafers.
Victor Hugo wrote in the nude so he would not be able to leave the house and instructed his valet to hide his clothes.
Roald Dahl composed in the privacy of his garden shed.
James Joyce wrote lying on his stomach in bed with a large blue pencil and wearing a white coat.
Truman Capote also liked to write lying down.
Stephen King is quoted as saying he had a goal of 2000 "adverb-less" words a day.
Lewis Carroll preferred using purple ink.
Joseph Heller arrived at some of his greatest ideas while riding the bus.
Woody Allen was inspired during crowded subway rides.
Some of my fellow writers claim they must be at the local library or sitting in a Starbucks since there are too many distractions at home. Others keep to a strict daily two or three hour time frame or their required 1000 or 2000 words. Still others have warm up activities - such as write about the last thing that made you laugh/cry, or do 30 jumping jacks. Another must wear red flannel pajamas.
So what weird thing do you do? And does it help?
Maybe we don't have writer's block after all. Perhaps we are like Harold and all we need is a purple crayon.
Andrea Perry, November 19, 20114
Monday, November 10, 2014
First Friday Five Favorite Things - Crazy
by Linda Phillips
This past Friday, November 7, Marcy and I posted our
answers to Linda’s debut novel in verse, Crazy. Today, you get to read
Linda’s favorite's.
Great picks, Linda! We learned even more about your
characters through your answers.
We hope our readers enjoy the story as much as we
did.
1) What is your favorite line or paragraph
from the novel as it relates to the main character's development and/or growth?
As for the main character’s growth and development, it
would have to be the very end of the book, in the last piece called “Figurines
and Forgiveness.” Laura has just asked forgiveness in her own
way:
“I’m not sure if she gets it at all,
what I am trying to say,
but the important thing is
I get it
and I did what
I needed to do,
and it feels as good
as anything I have ever done.”
2) What is your favorite chapter ending or
cliffhanger?
Probably the most emotional and high-tension poem of
the book is “The Sound of Breaking China.” It’s a cliffhanger in the sense that
the reader doesn’t know how Laura will react, but can expect that it will be
bigger than the reaction she had to the first breakdown.
“The ambulance and the police get there as we pull up.
Someone makes me stay in the car,
makes me drink something, holds my hand,
tells me it’s going to be all right,
tries to turn my head when
they take her away.”
3) Who is your favorite secondary
character and why?
Of course that would have to be Beth, Laura’s cocky,
irreverent best friend, who knew her well even though Laura never shared any
part of her mother’s illness. Beth was Laura’s voice of reason,
always with a dry sense of humor.
4) What is your favorite line or paragraph
of description?
I love the description of Laura’s parents and a brief
glimpse of their relationship in “Puzzling Music.”
“I stop playing after I hear them leave, and I
watch the old Studebaker chug down the hill
in the bright moonlight
with the frozen snow glistening all around
like precious jewels.
I catch the silhouette of the two of them
in the front seat.
It occurs to me
that the love they share
is both mysterious and haunting
like the song of the reed flute.”
5) What is your favorite line of dialogue?
And speaking of Beth, this is my favorite dialogue
sequence in the poem called, “The Call.”
“He called. HE CALLED!”
“What? Stop shrieking. I can’t understand
you.
Speak clearly into the microphone, madam.
Did you say some is bald? Who is this,
anyway?
“Beth, stop playing with me, you dimwit. You
know
who this is and what I said.”
“So darling Dennis finally called. So?”
Beth is unable to hide her biased opinion.
Congratulations to Linda and her debut novel Crazy.
Kudos to Linda for this book being selected as a Junior Library Guild
selection. Way to go!
To read more about Linda Phillips debut YA
novel Crazy please go to:
Website: http://www.lindavigenphillips.com/
Twitter: https://twitter.com/LVigenPhillips
Friday, November 7, 2014
First Friday - Five Favorite Things - Debut Novel Day
by Dave Amaditz and
Marcy Collier
Welcome to November’s version of - First Friday - Five Favorite Things - Debut
Novel Day. In this monthly series, we ask five simple questions about a
debut novel that will hopefully entice anyone reading this post to pick up the
novel and read it themselves, and/or give them at a glance some insight into
the author's writing style and voice as well as how some of the characters
might think or act. We do this by presenting, first, answers to our Five Favorite Things, followed by the
author's answers in a follow-up post.
This month we're pleased to highlight debut YA novelist,
Linda Phillips and her novel, Crazy,
a novel in verse. Laura, the main character, is worried she’s destined to
suffer from the same mental illness as her mother. You’ll love reading to find
out if, and how she copes with the problem.
1) What is your favorite line or paragraph from the novel as it relates to
the main character's development and/or growth?
Dave – This particular section
comes from later in the book, and even though I don’t think I’m giving the
story away, I will label it as a “spoiler alert” - just in case. Laura has gone to see the
family doctor to determine if in fact her mother’s mental illness is
hereditary.
I thank him,
even give him a hug,
and walk slowly out to the car.
The image of a shot put
comes to mind again,
and I realize the weight
is out of my hands.
I have no control over it now,
and the farther away it lands
the better.
Marcy – This passage comes a
little later in the book when Laura’s dad shares with her poems that her mother
sent to him long ago. Laura begins to realize that her mother wasn’t always
the way she is now.
Now I’m confused, because I always
thought he was the one who
originally sent the poems to her,
but maybe it was the other way
around. Anyway, I get
embarrassed when he starts
showing them to me
because some of them are downright mushy,
even racy and passionate,
I’m thinking he’s probably
made some mistake and gotten
an old girlfriend’s stuff
mixed up with my mother’s stuff
because this certainly isn’t the mother
I know.
If this is my “old” mother,
I want to know more about her,
I already know more than I want to know
about this “new” mother.
thought he was the one who
originally sent the poems to her,
but maybe it was the other way
around. Anyway, I get
embarrassed when he starts
showing them to me
because some of them are downright mushy,
even racy and passionate,
I’m thinking he’s probably
made some mistake and gotten
an old girlfriend’s stuff
mixed up with my mother’s stuff
because this certainly isn’t the mother
I know.
If this is my “old” mother,
I want to know more about her,
I already know more than I want to know
about this “new” mother.
2) What is your favorite chapter ending or cliffhanger?
Dave - This particular section comes
about three quarters of the way through the story. Laura’s mother is in the
midst of a breakdown. She’s broken china and has blood all over herself. Laura
has had to telephone the police.
The ambulance and the police get there as we pull up.
Someone makes me stay in the car,
makes me drink something, holds my hand,
tells me it’s going to be all right,
tries to turn my head when
they take her away.
Marcy – I won’t go into details so
as not to spoil it, but everyone has that one particular friend who has an
opinion about everything and is not afraid to share it. In Laura’s life, Beth
is that friend. Laura tells Beth about the date she had with Dennis.
Stunned silence.
For once,
Beth has nothing
to say.
For once,
Beth has nothing
to say.
3) Who is your favorite secondary character and why?
Dave – My favorite secondary
character is Dennis. I love the lingo he uses - ripped straight from the 1960s.
Following is an example:
“So Laura, babe, you look like glum with a capital G.”
Plus, with lines like the one that
follows, it’s easy to see Dennis genuinely cares.
“Laura,” he says, almost shouting. “For God’s
sake, you look like death warmed over, you’re angry
at the world, you’ve all but abandoned
the one thing that makes you happiest,
and you really ought to give up lying,
because you don’t do it very well.”
Marcy – Mrs. Boucher is my favorite secondary
character. Laura visits an art gallery to shop for a present for her mother.
When she realizes she can’t afford anything, Mrs. Boucher takes her back to
check out the sale items in the back of the store. When Laura admits she doesn’t
have enough money, Mrs. Boucher tells Laura she can pay her back when she gets
the rest of the money. The two end up becoming friends and Laura finds refuge
in the back of Mrs. Boucher’s shop while they both create art.
Mrs. Boucher leans back,
sighs deeply,
takes both my hands in hers
and says, “Well, Laura,
it looks like we are in this
together. Do you know why?”
sighs deeply,
takes both my hands in hers
and says, “Well, Laura,
it looks like we are in this
together. Do you know why?”
“No…no, I really don’t,” I say,
giving her a completely honest answer
and a very blank stare.
giving her a completely honest answer
and a very blank stare.
“Well it sounds like
we both have work to do,
and we can do it right here in
my shop, together.”
we both have work to do,
and we can do it right here in
my shop, together.”
4) What is your favorite line or paragraph of description?
Dave – There were quite a few
for me to choose from, but I think this particular section describes
particularly well what it is that Laura has to endure on a day-to-day basis
while living at home with her mother.
Instead
she sits and stares,
rocks and rocks the devil
out of the green rocker,
smokes and stares
stares and paces
paces and mutters
and stares and stares
out those blank eyes through that thick cloud of smoke,
eyes that shut you out of her secret world,
and sometimes
when you do break through,
you know,
you just know,
that she left part of herself on the other side of sanity
and she’s trying to remember
where she was when she got lost.
Marcy – I love the way Dennis is ever so subtly trying to get through
to Laura. In this instance, he has broken through the guard she puts up around
everyone.
Dennis passes me a note:
“So sorry you didn’t win,
but guess you can’t win
if you don’t try. Have you
given up?”
“So sorry you didn’t win,
but guess you can’t win
if you don’t try. Have you
given up?”
Instead of writing back
I turn fully around and hiss,
“Not on your life, Dennis Martin,
not on your life.”
I turn fully around and hiss,
“Not on your life, Dennis Martin,
not on your life.”
He flashes his gorgeous smile, and I
smile right back through a deep blush.
5) What is your favorite line of
dialogue?
Dave – This particular line is
taken from early in the novel. I chose this section to again give you a glimpse
into what Laura has to deal with living with her mother. Her mother is in a
manic state, up all hours of the night, painting, painting constantly.
“Oh, there’s much more where that
came from, Laura, especially since
you suggested I start painting again.
You just wait and see.
No go on back to bed
and don’t you worry. Everything is just fine, honey.
Just fine.”
Marcy
– This line said
by Laura’s best friend Beth made me laugh out loud.
“Well,” Beth says dryly, “I’d be throwing up
too, if I had to spend an evening with 88 Fingers
and his cheerleading pals.
Seriously, I can’t believe
your father will let you go,
and even if he does,
you wouldn’t consider it, would you?’
too, if I had to spend an evening with 88 Fingers
and his cheerleading pals.
Seriously, I can’t believe
your father will let you go,
and even if he does,
you wouldn’t consider it, would you?’
Twitter: https://twitter.com/LVigenPhillips
Friday, October 31, 2014
You can count on the Count for a little Halloween Humor
Happy Halloween!
In the spirit of the season, pun intended, I'd like to share two vampire poems: One by Kenn Nesbitt, U.S. Children's Poet Laureate, and one by Andrea Perry, resident Route 19 Writers rhymer. You can count on both of them to produce a toothy grin:)
In the spirit of the season, pun intended, I'd like to share two vampire poems: One by Kenn Nesbitt, U.S. Children's Poet Laureate, and one by Andrea Perry, resident Route 19 Writers rhymer. You can count on both of them to produce a toothy grin:)
I think my dad is Dracula.
I know that sounds insane,
but listen for a moment and
allow me to explain.
We don't live in a castle,
and we never sleep in caves.
But, still, there's something weird
about the way my dad behaves.
I never see him go out
in the daytime when it's light.
He sleeps all day till evening,
then he leaves the house at night.
He comes home in the morning
saying, "Man, I'm really dead!"
He kisses us goodnight, and then
by sunrise he's in bed.
My mom heard my suspicion
and she said, "You're not too swift.
Your father's not a vampire.
He just works the graveyard shift."
--Kenn NesbittI know that sounds insane,
but listen for a moment and
allow me to explain.
We don't live in a castle,
and we never sleep in caves.
But, still, there's something weird
about the way my dad behaves.
I never see him go out
in the daytime when it's light.
He sleeps all day till evening,
then he leaves the house at night.
He comes home in the morning
saying, "Man, I'm really dead!"
He kisses us goodnight, and then
by sunrise he's in bed.
My mom heard my suspicion
and she said, "You're not too swift.
Your father's not a vampire.
He just works the graveyard shift."
Count Dracula is
getting old
And less
bloodthirsty, we are told.
As far from youth as
you can be
And so long in the
tooth is he,
That we have heard
his bark, at night,
Is worse for victims
than his bite.
--Andrea Perry
Friday, October 17, 2014
Five Fall Favorites on Friday from Frankenstein to Falling Leaves by Andrea Perry
Frankenstein Makes a Sandwich
by Adam Rex
"When life gives you lemons, make lemonade ..." or in this case, if the villagers chase you with torches and pelt you with rotten produce, make a sandwich! Adam Rex delights us with a number of stories about monsters, and even some about monsters AND food. Some of the hilarious offbeat monster subjects include The Creature from the Black Lagoon, who went swimming too soon after eating, The Lunchsack of Notre Dame, a lament about why one hump lumps this poor lad with all the other monsters, and Count Dracula Doesn't Know He's Been Walking Around All Night With Spinach in His Teeth, since of course his castle has no mirrors. Who should tell him so he's not embarrassed any further?? Halloween Hilarity Abounds.
My Monster Mama Loves Me So
by Laura Leuck and Mark Buehner
A light breezy monster verse about how baby monster knows how much its mother loves it. Who else but a loving parent would take their child to the swamp to swim, bake cookies filled with bugs, comb cobwebs out of their bangs, or breathe fire to start a cozy blaze in the fireplace? If your monster mama also tucks you into bed at night with a bat, that's how much you are loved.
Leaf Man
by Lois Ehlert
Have you seen him? Leaf Man, a life-sized leaf collage (with body parts identified on a separate ending page) traveling across pages of die-cut panoramas, is simply beautiful. And after you enjoy his wondrous autumn adventure, you too will go looking for your own "leaf man" (or woman!) as the rainbow of October leaves gently drift and glide all around us.
Monday's Troll
by Jack Prelutsky and Peter Sis
Mother Ogre's Lullaby, just one of the seventeen poems in this monstrous collection, has always been one of my favorites:
"Hush baby ogre, stop raving and rest,
Slumber, sweet savage impossible pest.
Stifle your tantrum, no kicking, don't bite.
Close your red eye...baby ogre, good-night."
We also visit with witches, trolls, Bigfoot, wizards and goblins, not to mention a solitary yeti feasting on dinosaur bones. From stale witch birthday cakes with snakes instead of candles, to an invisible wizard unable to reverse its spell, to a troll full of sour applesauce, you will enjoy all of their garish gruesomeness.
The Monsterator
by Keith Graves
Who could resist a Halloween book with a cover such as this, advertising "625 Monsters Inside...Can You Find Them All?"
Meet Edgar, a poor bored boy who can't find a Halloween costume scary enough to scarify him. He wanders past costume shops until he happens upon one he'd not noticed before. Dark and understaffed, he finds an odd machine there, puts in a dime and steps inside. So goes the rhymed verse tale of the Monsterator Machine, and what happens to Edgar once inside, complete with the fun final pages of a partitioned flipbook to monsterate on your own.
If you like to be scared silly, I am sure that one of these books is likely to delight!
by Adam Rex
"When life gives you lemons, make lemonade ..." or in this case, if the villagers chase you with torches and pelt you with rotten produce, make a sandwich! Adam Rex delights us with a number of stories about monsters, and even some about monsters AND food. Some of the hilarious offbeat monster subjects include The Creature from the Black Lagoon, who went swimming too soon after eating, The Lunchsack of Notre Dame, a lament about why one hump lumps this poor lad with all the other monsters, and Count Dracula Doesn't Know He's Been Walking Around All Night With Spinach in His Teeth, since of course his castle has no mirrors. Who should tell him so he's not embarrassed any further?? Halloween Hilarity Abounds.
My Monster Mama Loves Me So
by Laura Leuck and Mark Buehner
A light breezy monster verse about how baby monster knows how much its mother loves it. Who else but a loving parent would take their child to the swamp to swim, bake cookies filled with bugs, comb cobwebs out of their bangs, or breathe fire to start a cozy blaze in the fireplace? If your monster mama also tucks you into bed at night with a bat, that's how much you are loved.
Leaf Man
by Lois Ehlert
Have you seen him? Leaf Man, a life-sized leaf collage (with body parts identified on a separate ending page) traveling across pages of die-cut panoramas, is simply beautiful. And after you enjoy his wondrous autumn adventure, you too will go looking for your own "leaf man" (or woman!) as the rainbow of October leaves gently drift and glide all around us.
Monday's Troll
by Jack Prelutsky and Peter Sis
Mother Ogre's Lullaby, just one of the seventeen poems in this monstrous collection, has always been one of my favorites:
"Hush baby ogre, stop raving and rest,
Slumber, sweet savage impossible pest.
Stifle your tantrum, no kicking, don't bite.
Close your red eye...baby ogre, good-night."
We also visit with witches, trolls, Bigfoot, wizards and goblins, not to mention a solitary yeti feasting on dinosaur bones. From stale witch birthday cakes with snakes instead of candles, to an invisible wizard unable to reverse its spell, to a troll full of sour applesauce, you will enjoy all of their garish gruesomeness.
The Monsterator
by Keith Graves
Who could resist a Halloween book with a cover such as this, advertising "625 Monsters Inside...Can You Find Them All?"
Meet Edgar, a poor bored boy who can't find a Halloween costume scary enough to scarify him. He wanders past costume shops until he happens upon one he'd not noticed before. Dark and understaffed, he finds an odd machine there, puts in a dime and steps inside. So goes the rhymed verse tale of the Monsterator Machine, and what happens to Edgar once inside, complete with the fun final pages of a partitioned flipbook to monsterate on your own.
If you like to be scared silly, I am sure that one of these books is likely to delight!
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