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Showing posts with label kathy temean. Show all posts
Showing posts with label kathy temean. Show all posts

Monday, June 17, 2013

Thank You New Jersey SCBWI - 19 Reasons to Attend the New Jersey SCBWI Annual Conference

 


by

Dave Amaditz

1) An unbelievably friendly and helpful staff - beginning with Leeza Hernandez, regional advisor, as seen here giving the welcoming address on Saturday, June 8, 2013
Leeza Hernandez
 

2) An amazing, kind and welcoming membership that made me feel, as a first-time attendee to their conference, like I'd always been part of the group.

3) The ability to communicate with talented writers who have won numerous awards, such as Ame Dyckman, winner of this year's crystal kite award.

4) Access to agents, such as my one-on-one critique mentor, Stephen Barbara, from Foundry Literary. Other mentors that I had the privilege to sit with at lunch, Louise Fury of the L. Perkins Agency and Jessica Regel of the Jean V. Naggar Literary Agency Inc. All were pleasures to speak with, and all, a wealth of information.

5) Access to editors, such as Connie Hsu, from Little Brown Books. I enjoyed finally being able to meet her in person, after not being able to attend the spring retreat hosted by WPA SCBWI in 2011 because I'd taken ill. Jenn Abramowitz, Senior Editor, Scholastic was also there, as was Melissa Faulner, Editorial Assistant, Abrams, and many others.

6) Fantastic and up-to-date sessions -some of my favorites, listed below.

7) Sitting in on a wonderful session by Kathy Temean. Her tips for how to market yourself before you have sold your book, after you have signed a contract, four months to launch, one month prior and launch date were fantastic. There's no doubt I'll use each and every one of them should I be fortunate enough to land a contract.

8) Sitting in on book trailer session by Kim McDougall. Wow! I knew I'd watched some good trailers and some that were awfully bad, but I never knew everything that went into making the really good ones. I'll use all of her fantastic tips.

9) Blueprinting a novel by Wendy Mass. She gave a super interesting approach to outlining a novel. She made it sound so easy, and although I've never had success with outlining before, the whole idea made me think that it might be worth a try.

1 0) Battling your inner censor with Jen Hubbard and Kit Grindstaff. All of us have had scenes we had difficulty writing, some more so than others. We received a few strategies, among them visualization, to help us push through the block.

11) Online registration. It may sound so simple, but the process of registering via computer was made so simple. Paperless. Effortless. Thanks. I hope we soon implement something similar to this with my local chapter.

12) Early registration. I received my initial e-mail on March 10. The preplanning for this conference was fantastic, one of the reasons, I believe, for its success.

13) The ability to select agents you wish to meet. A list of agents willing to give critiques were made available. Applicants were taken on a first-come, first-serve basis, and because I registered early enough, I was able to get the one-on-one critique from my agent of choice.

14) Electronic submissions for all manuscripts needing to be reviewed and a cut-off date for uploading the documents. This gave ample time for the editor or agent to thoroughly review your material. By the way, it was made quite clear, that if you were late uploading the document your timeslot would be lost. Very fair, indeed.

15) Dining arrangements - Editors and agents were seated at various dining tables. All attendees had the option, especially if they registered early enough, to choose the table where they wished to sit. Once again, early registration allowed me to sit with my agents of choice. I learned a heck of a lot about the business while enjoying a couple fantastic meals.

16) Critique groups. Peer critique groups were made available to those who wished to participate. I knew I would've run out of energy, so I didn't sign up for those, but I understand from other attendees that they were fantastic.

17) First page sessions. Editors and agents listened to first pages, which we know are the most important part of the manuscript.

18) Fantastic keynote speakers - Peter Brown, author illustrator - Tara Lazar, (seen here during her keynote speech) picture book author - Lauren Oliver, New York Times best-selling author. All three gave uplifting speeches. My notebook is full of their words of wisdom.
Tara Lazar
 
19) A large chapter with a hometown feel - This is what impressed me the most. The entire process was run with business-like precision, and even though this chapter boasts a large membership, which could lend to the process being impersonalized, I was made to feel as comfortable as if I were in my own hometown. I never felt isolated or out of place even though I traveled nearly 400 miles to attend and had never met any of the members.

The bottom line is: I was promised by two of my Route 19 fellow writers, Marcy Collier and Kitty Griffin, that I would have an amazing experience if I attended the June 7-9, 2013, New Jersey SCBWI conference.

Wow! Promises kept.

Now, just like them, I recommend this conference to anyone looking for a fantastic learning experience with a fantastic group of people. And... I plan to join them again next year.

Monday, June 11, 2012

NJ SCBWI Conference


by Marcy Collier

Kitty, Andrea and I attended the New Jersey SCBWI conference this weekend. Kitty taught a workshop on Fairytales, Legends & Tall Tales (which, BTW was awesome!) We branched out into different workshops, then were able to share and compare notes on the long journey home to Pittsburgh.


Dan YaccarinoThe Saturday keynote speaker, Dan Yaccarino was amazing. He said, “Challenge yourself. Don’t stand still. Your passion must come through in your work or kids will see through it.” He said he spent the first two years after art school dropping off portfolios to magazine publishers in search of work. The theme of his speech was to say – “YES!” He was presented with opportunities and new situations and said yes each and every time. As writers and illustrators we have to work hard and persevere and say yes to new situations and overcome our fears.

If you find yourself in a challenging situation, don’t back down and run. Have confidence in yourself to say, “yes I can do this.” You have to believe in yourself before others will have confidence in your work.

But as the agents stated in their panel, they expect an author or an illustrator to submit polished work. They have to fall in love with your manuscript or illustrations to make an offer. Do your research. Know your market. Don’t submit to an agent blindly. They can fix plot or pacing problems in a novel but they can’t teach you voice. Hone your craft. On a personal, observatory note, don’t be a pain in the butt. Don’t corner an agent/editor during the cocktail hour and demand an explanation on why they’ve rejected your manuscript six times. Don’t stuff an envelope in their hand and ask them to critique your manuscript. I almost feel like agents/editors should have an emergency air horn they can sound if they are stuck in that awkward situation and then a volunteer will come to their rescue.   

As far as market trends, paranormal, vampire, angels, dystopian, and super powers are all dead. Do not start your story with dreams or car crashes where the main character wakes up and something terrible has happened. Make the stakes high. Create believable characters with realistic problems. Contemporary realism is becoming popular.

We got on the road at lunchtime so we missed both Kate DiCamillo’s closing remarks and the farewell to Kathy Temean as regional advisor. The bits I read on Twitter about Kate’s speech (#NJSCBWI) were both inspirational and heartwarming. And even though we don’t live in the New Jersey region, we are grateful for all of Kathy's hard work, dedication and making us feel so at home and welcome in her region. We will truly miss her as the NJ regional advisor!

 

But I had to get home in time to read bedtime stories, which of course included Ame Dyckman and Dan Yaccarion’s Boy + Bot.

Monday, April 2, 2012

Sharing Egg-cellent Advice

by Marcy Collier



Over the weekend I took my kids to a giant Easter egg hunt where a helicopter flew over a field and dropped thousands of Easter eggs. Sounds fun, right? That's what I thought until the rules were announced that parents weren't allowed on the field with the kids. I stood on the sidelines for about 40 seconds, until panic took over because I could no longer see my kids amongst the thousands of overly eager egg-hunting children.

My older son wearing bright red, I found immediately. I had lost sight of my younger son in navy blue for ten agonizing minutes until he found us.




Over the weekend I also read about another fear of mine - pitching an agent. I don't fear this as much as losing one of my children in a crowd, but pitching still makes me pretty nervous. I regularly read Kathy Temean's blog which is full of helpful and inspiring advice for writers and illustrators. Her April 1st post had some egg-cellent advice on pitches.

Below were some of her tips for a five minute pitch:


1. Write down what you want to say about your book.

2. Read and time it, so you leave a minute for the editor to respond.

3. Now e-mail it to a few writer friends to get their opinions.

4. Tweak your text accordingly.

5. Practice using someone in your family or critique group to help get you comfortable.

6. Don’t show up with your text written down and try reading it to the agent.  You should be able to talk about your book without reading it – BORING!

7. Pull a Sarah Palin and write a few key points on the inside of your hand, so if you choke you can take a quick glance.

8. Don’t rush your words. Make it feel like a conversation on the phone with a good friend.

9. Remember that it is just a pitch, so don’t get nervous. If you do all the above things in advance, you will have more confidence going in and that will help keep you from going off course.


Have an egg-cellent holiday!